Pabst blue ribbon distributorsCommunity grants for nonprofits . Grants for gospel music
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Ludwig van Beethoven’s “Für Elise” provides us with the first example of a minor second, and it can be found in the first “seconds” of the piece — in other words, the first two notes are a descending minor second apart.
You’ll learn how to dissect the specific elements that make hip-hop unique as a genre, and master them in your own music. Another of the many great perks of joining this course is that we’ve partnered with our friends at Splice to give all students two months of free access to their library of samples, so you can get started sampling and making hip-hop beats immediately!
Grants for band trips
Anytime you want to use intervals based on perfect fifths, you’re multiplying and dividing by 3, but anytime you want to use intervals based on major thirds, you’re multiplying and dividing by 5. Starting from C, it’s possible to produce any note on the piano if you multiply or divide your frequencies by 3 enough times, but those notes won’t be in tune with the notes you’d get multiplying or dividing your frequencies by 5, because 3 and 5 don’t mutually divide evenly. This is not just an abstract mathematical issue. It’s the reason that it’s impossible to have a guitar be in tune with itself.
Also, as our♭II chord types were technically diatonic (aka “regular”) to the Phrygian mode, our non-borrowed-or-secondary weirdo-chords this year were the viis (when it was once a ii/V/♭VI and once diatonic to Lydian) and also a I+ (augmented).
The people of Puerto Rico have been working — the people themselves — since the moment the hurricane passed to help clear neighborhoods and roads of debris, and doing the work necessary to rebuild. They’ve been sharing and pooling resources and helping each other. If you’re able to donate, consider the options below that fund efforts which directly support the people and the process of recovery.
Taught by Alex Wilson of the Australian band Sleepmakeswaves, this course is less about recording at home and more about how to take in-the-box material and make it come to life while you’re performing onstage. We take you through the best gear to use, how to organize your tracks in Ableton Live, how to setup your laptop rig, and much more!
Johnson took a moment out of his highly sought-after time to chat with us about the company and its mission to change the way we discover and organize music.
Grants for female artists
The Headliners Club is kind of like a “build your own customized course.” If you need help on a specific project that doesn’t quite fit within one of our courses, you’ll be able to work with a Soundfly Mentor one-on-one to create a customized one-month learning program specifically tailored to your needs and goals.
This remarkable music video features an exceptionally talented young female dancer named Maddie Ziegler. Her stellar performance is both hypnotic and mesmerizing. (We love escalating dance performances in music videos — we did a whole thing on it.) The song itself conveys Sia’s struggles with alcohol and drug addiction, and Ziegler’s wild dancing is a striking visual depiction of that mixed with the guilt and pain that follows. She violently jumps and throws herself around the empty room with constantly changing expressions of anger, pain, confusion, excitement, and sadness. The room itself is empty and represents a mind that is distressed and sadly neglected.
It’s scary to be vulnerable, but I believe it’s necessary to get to the root of your artistry. Singing your own songs in front of people is one of the most vulnerable things you can do, and embodying what makes your songs and your stories unique will light up your art. Don’t be afraid to make others uncomfortable, because once you start creating art you don’t believe in, simply to please others and their needs, you will lose yourself.
Labeling tracks and keeping a detailed record of what’s happening during a recording session is crucial for saving time. Don’t do this during the initial recording process, which should flow without periodic interruptions, but rather when you’re mixing the material later on. Take a small amount of time to label each track or input before and after you record each piece. And keep handwritten notes in a notebook (or at least on a separate screen other than the one used to record).
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