From a t-shirt and jeans with a stencil type design to full stage costumes, masks, and wigs with branded graphics, here’s why your band’s visuals matter.
My most memorable musical experience might still be my musical beginnings—three young teenagers in a basement trying to figure out how to play “Highway to Hell” and not totally suck—and loving every second of it.
Muru was initially created to solve a professional problem I had as a music curator. As a consultant, I was creating these incredibly long playlists for small venues like bars, restaurants, hair salons, etc. The very initial idea for Muru was to build a search tool that would help me find more songs with the same “vibe” as the ones I had already found. If a Jackson 5 song worked really well in a previous playlist, I wanted to find songs with a similar vibe for the next playlist.
You can hear how popular this song really was in Live at the Apollo by listening to how bonkers the crowd goes during that track. But while their faith may have been restored, they still didn’t see Brown as anything more than a single artist, inconsistent at best.
All of the notes above Fret 12 on any string are just repetitions of the same notes, an octave above (for example, Fret 14 on the 6th string is an F#, an octave above the same note on Fret 2 on the same string). Therefore, we can simply subtract 12 from the fret number and proceed repeating the same process we have discussed until now.
The Ray Charles project is called Au Palais des Sports-Live and was recorded in 1961 during his first European tour! The Serge Gainsbourg project, Premiers Tubes-Live, is composed of two live-on-radio sets recorded in 1961 and 1962 and contains an exclusive interview with Juliette Gréco, another French icon from that period. And thirdly, Premières Scènes-Live is a recording of Dalida’s first appearances on stage at the renowned Olympia in 1961 and on the radio show Discoparade in 1962.