In 1972, John Fogerty left Creedence Clearwater Revival and their label, Fantasy Records. After he released his hit solo album Centerfield (1985), label head Saul Zaentz of Fantasy Records sued Fogerty for plagiarizing himself. Zaentz claimed that the single “The Old Man Down the Road” infringed upon “Run Through the Jungle,” a song that he had originally recorded with CCR under contract with Fantasy Records in 1970. Though he was not found guilty, it’s pretty novel that Fogerty was sued for sounding too much like himself!
“Thank you, I really loved this course and am so impressed with Soundfly! I want to keep taking courses with you indefinitely. I came to this course to learn about chords, and I learned about chords but also so much about music production — which I was not expecting! It was a nice surprise.”
This vinyl-related project couldn’t be more different from the one above. Until recently, Jesu Berkeley was just a talented dad. Now, he’s an educator and community activist with a dream to provide a creative space for students and at-risk youth to learn about DJing, turntablism, and scratchology!
With Pandora-owned Next Big Sound, you can access not only your Pandora stats, but insights about your entire online presence, including Facebook, Twitter, Bandcamp, Songkick, and much more. If you have your music on Pandora, you just need to be a verified Pandora AMP user in order to access Pandora data on your Next Big Sound dashboard. You can claim your AMP profile here.
If you think through what music your listener was likely exposed to as a child, you can easily figure out how to write to job their nostalgia response. But it’s important to remember that “nostalgia” can also be associated equally with sentiments of sadness and loneliness as it can joy and comfort. As a composer, this is where it becomes important to play with instrumentation, timbre, and tempo, in order to get the right balance.
In 1962, he composed “Poème Symphonique For 100 Metronomes,” in which metronomes tick at different rates and stop in different moments of the piece, creating a cloud of rhythms that dispels as the metronomes stop respectively.