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The short tape loop in the RE-100 still meant that you could only affect the delay so much. The RE-201 remedied this by using a longer tape loop that was spooled freely within a chamber with no reels. This loose spool approach resulted in less tape wear and fewer transient noises.

The bariolage part isn’t only exciting because of the chromaticism — all those repeated A’s are intense too, in a way that doesn’t come across fully in MIDI form or played on a piano. On violin, you’re not just hammering the same note over and over. You’re really playing two different notes that are both very close to being A — you alternate between the open A string and the D fingered at the equivalent of the seventh fret in the guitar. These two A’s are a little out of alignment with each other.

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Jamie Ehrenfeld is the founder of CORE Music NYC, an artist services agency incubating upcoming musicians and teams committed to community engagement. She has worked as a music educator with the featured programs at Eagle Academy for Young Men and City as School.

In 1962, he composed “Poème Symphonique For 100 Metronomes,” in which metronomes tick at different rates and stop in different moments of the piece, creating a cloud of rhythms that dispels as the metronomes stop respectively.

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One great way to do so without having to ask people for their contact information is through subscribing to your band where they consume music directly. For listening tendencies, this means encouraging them to subscribe on Spotify, YouTube, Apple, Amazon or whatever their favorite streaming site is. If they want to just know when they can see you live again, ask them to subscribe to your tour dates on BandsinTown or Songkick; whichever platform you use to post your shows.

Music creation software follows a few different interface metaphors: the multitrack mixing desk (Pro Tools), the rack of modular synths (Reason), the sheet of staff paper (Sibelius, Dorico, Noteflight). There are also hybrids of all of the above (Logic). Ableton Live is in a category by itself, because it’s organized around a kind of performable spreadsheet. Serato’s metaphor is two turntables, a crate of vinyl records, and a DJ mixer.

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