It’s very fluid and overlapped as to where the bridge stops and the verses begin with these mercurial lyrics bleeding over the bars like too much bubbly poured into your champagne flute. The outro gives you a funky meter fake-out. It sounds like they went to triplets or something, but all those odd accents still subdivide over three solid bars, believe it or not.
As I touched on before, there’s something really comforting about the idea of a cassette tape. It brings to life visions of a simpler, or at least, less chaotic time, in which music consumed us in a completely different way.
It feels as if everything I’ve worked on in the last 18 years has been leading up to this moment. The pieces of the puzzle have come together, and I’m using everything I’ve learned and putting it into Muru. I want to contribute to the future of music technology and how we use Artificial Intelligence.
In the story, Lulu is loved by many, but manipulates her lovers, moving from one to the next. At the height of her adoration, her fortunes begin to fall: she’s chased by the police, imprisoned, forced into prostitution, and then eventually murdered. To drive this musical and thematic symmetry home, Berg specified that the actors that play her first three lovers are the same actors that play her last three clients when she is a prostitute. This dramatic palindrome dovetails with the musical palindrome: Berg’s marriage of disturbing musical formalism with dramatic technique highlights Wedekind’s unearthing of the violence within patriarchal sexuality.