Susan Boyle does not fit the magazine standard, which of course is basically impossible for any woman, anyhow. Frankly, though, she doesn’t seem too interested in trying to do that. She just walked herself out there on internationally syndicated TV and slayed the competition on Britain’s Got Talent, and it was beautiful. She made a shallow and heartless industry take notice of her talent and judge her not on age or appearance but on the voice she possessed. Since then, she’s been praised by people in all walks of life, and one blogger even reported crying when she saw the video of Boyle singing. Thank you, Susan, you’ve sparked hope in a lot of people that this shallow world can have a heart and can change.
While the basic idea of sectional form can be stretched pretty far, it’s not uncommon to hear songs with additional types of sections. Pre-verses, post-choruses, breakdowns, ad-libs — there are plenty of examples of alternate forms.
Your narrative probably won’t come together in one sitting. So as a first step, get out a piece of paper and do some brainstorming on the following questions. A good narrative, like any great story, has a beginning, middle, and end. To get ideas, think about where you started and where you want to end up.
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
All of the notes above Fret 12 on any string are just repetitions of the same notes, an octave above (for example, Fret 14 on the 6th string is an F#, an octave above the same note on Fret 2 on the same string). Therefore, we can simply subtract 12 from the fret number and proceed repeating the same process we have discussed until now.
The Ray Charles project is called Au Palais des Sports-Live and was recorded in 1961 during his first European tour! The Serge Gainsbourg project, Premiers Tubes-Live, is composed of two live-on-radio sets recorded in 1961 and 1962 and contains an exclusive interview with Juliette Gréco, another French icon from that period. And thirdly, Premières Scènes-Live is a recording of Dalida’s first appearances on stage at the renowned Olympia in 1961 and on the radio show Discoparade in 1962.