When you establish a color scheme strongly, it becomes even easier to then subvert it and supplant a freshness into your look. White’s video for his solo song “Freedom at 21” exemplifies this perfectly. Here, he puts a ton of emphasis on the neon green of his sports car and the bright pink of the policewoman’s lipstick; the colors feel as though they’re going to jump off the screen at any moment.
There’s no arguing with this point. It’s science. The dot-com boom geeks who wanted you to have all the world’s music for free were clever enough to deploy basic concepts in psychoacoustics, or the study of how the brain interprets sound, in the architecture of the MP3 format. A quick-and-dirty summary of the compression processes at play includes the use of minimum audition thresholds, and simulated masking and bit/sample-rate management via the Nyquist-Shannon Theorem to discard any sonic information that doesn’t contribute meaningfully to a human’s listening experience.