You may have noticed by now how these sorts of structures really can be plug-and-play to some extent. In our analysis of 2018’s top Billboard tracks, we saw how these different sections pop up again and again, some more than others, but with many different variations. Here’s a chart from that analysis that shows how often each section appeared throughout all the songs we looked at:
It’s totally fair to assume this song is in C minor. Sure, C minor chords shows up here and there, and much of the melodic content could be attributed to the C minor pentatonic scale. I wouldn’t blame anyone for thinking this song is in C minor.